Neptune

Experimenting with homemade guitars and making it sound good since 1994.

These guys have taken experimental to a high level here, even going to the extent of using their own homemade instruments to create their sound.  Each songs sound clearly different from one another and yet they’ve managed to completely avoid all aspects of sounding like a gimmick as well as staying interesting and not running out of new ideas.

Look at their MySpace profile and official site player to stream some of their songs for free.

YouTube links

I am going to start putting YouTube links with all of the suggested songs for bands i write about.

I will not have uploaded the YouTube video, nor do i own the rights to the video and any copyright complications are nothing to do with me.

Naked City

Thrash avant-garde jazz?  Something like that anyway.

Dillinger Escape Plan, a band i previously posted about, clearly took a lot of influence from Naked City.  Naked City has a disregard for standard timing signatures, lyrical vocals, and loves to switch between, and merge genres together creating a very original and chaotic sound.

Their sound did switch a lot between albums.  For example, one of their more famous albums, Torture Garden was full of short, fast blasts as songs, Leng Tch’e was a single song that was driven by a slow heavy metal sound and Absinthe experimented more electrical and  ambient sounds.  Despite Zorn’s Jazz background, the band played with a lot of heavy and death metal bands of that time.  A couple of songs off Torture Garden were used in the 2008 remake of film Funny Games, this also gained them some popularity.

These are worth anyone checking out, just be sure to look at all their different sounds.

Listen to:

It’s definitely worth checking out YouTube for these.  There is a lot of good quality live versions of them as well as their actual music videos (all of which are pretty fucked up).

http://jfgraves.tripod.com/Naked_City/nakedcity.html

Little update

Well, i’m currently exploring some experimental music and i’ve found a couple of really cool bands that i will be posting about soon.  I already feel like this has been a success with 3 bands in particular who i’ve discovered and really liked, yet normally i wouldn’t have even come across them, so i’ve prooved to myself that there is different music out there, just have to look a little further than usual.

If you have any bands that you think are different and are worth a mention here, please comment and i’ll take a look.  If you’re in a band or make music that you feel fits this description, then feel free to do the same.

Reuben

“Look like tramps, sound like kings”, in their own words, is the best way to describe this 3 piece British rock band.

It’s now 2 years since the band called it a day.  You’d be forgiven for listening to their first album, the brilliantly named ‘Racecar is Racecar Backwards’ and thinking “this is good, but not that different”, well it only went uphill from there.  While Racecar may not widely be thought of as anything special, it was a solid album for the band to tour with a grow their fiercely loyal fan base.

Their next offering was ‘Very Fast Very Dangerous’, yet another brilliant album name with track names to suit, with the likes of Every Time A Teenager Listens to Drum and Bass A Rock Star Dies and Blamethrower.  It was another musical step up for the band and their popularity grew once more even getting some air time for a live performance on Radio 1.

Their final album was ‘In Nothing We Trust’, an all around more serious effort, lyrically, track titles and musically.  This is where the band really stood out.  This album explored a lot of different sounds, effects and song structures that we didn’t hear on the first 2 albums.  It’s far heavier, closer to metal than the grungy hard rock of the previous 2, far more experimental and even includes some progressive implements in the odd song.

The album received glowing praise for this originality and the fact that despite Reuben relentlessly touring for 6 years prior, many saw it as a real turning point for them.  With the overall heaviness of the record it would have been easy to put older fans off, however amongst the anger portrayed in the lyrics of a lot of songs, Jamie Lenman managed to keep a whiff of his now infamous (amongst fans at least) comedy styling.  For example, We’re all going home in an ambulance, a song about the shameful violent culture we live in today, one of the verses sings about how a woman in New York started a fight with him because she thought he was Jewish, even though he wasn’t.

The thing that often astounds people is the hard work that this band put in.  All 3 members were employed while touring, writing and recording the album, the lead singer actually had a full time career aside from the band.  Now he still works at the Guardian as an illustrator, Guy (the drummer) and Jon (the bassist) are in another band, Freeze The Atlantic.

Listen to:

  • We’re all going home in an ambulance [on In Nothing We Trust] (great song to sum this album up, aggressive, meaningful, progressive, full of ideas, comedic…)
  • Blood, Bunny, Larkhall [on In Nothing We Trust]
  • Keep It To Yourself  [on Very Fast Very Dangerous]
  • Fall Of The Bastile [on Racecar] (all round great sounding off-beat track, a must listen)
  • Eating Only Apples [on Racecar] (groovy as fuck)

Lady Gaga

Lady Gaga right now stands for everything wrong in the music industry.

There’s so much wrong here that I’m having a hard time deciding where to start.  I think I’ll go with what got her famous and what most people see about her first, her “fashion” obsession and image.

Most female pop stars seem to go for the hawt style when it comes to their image, it requires very little thought and with a little air brushing almost anyone can pull it off, in fact this is much more important to most of them than their actual music.  Gaga however eligibly likes fashion, so uses that for her image, although it’s more of a safe bet that this is just a clever marketing technique to set her apart from the crowd, after all, there aren’t many other artists that go out of their way to make themselves look the absolute twat.  This is obviously just an attention seeking device, which sums her up in her entirety.

Next let’s go with her lyrical themes.  You just need to look at a couple of her hits to get the general idea of where her career will explore.  Ranging from boys, to sex, to dancing and to boys, it’s obvious we have a clever cookie on our hands here, nothing is out of bounds, especially if it’s been done a millions times before and interests 14 year old girls.  Take her debut single Just Dance, a song about getting so high that you just want to dance, or one of her biggest, Poker Face about not giving away that she likes a boy by keeping a straight face.  Although wearing her outfits her face probably wasn’t visible anyway.  There’s some real deep and meaninglessful shit right here.  You can actually guess the hooks from the song titles.

Gaga also practices equally artistic paintings

Despite these lyrics being unimaginative, childish and poorly written she went out of her way and actually got sued for claiming she wrote them and not properly crediting or paying their true authors.

The problem that should be most important (although thanks to auto tune technology, isn’t) is the face she can’t sing and doesn’t have a great voice when she tries.  This actually seems to be somewhat of a fad.  Before we were getting stars with average singing ability at the top of the charts, now anyone can be the main voice in the number 1, so much so that auto tune is rapidly becoming the sound of today’s radio.  As if people are actually trying to be bad singers, it’s mind boggling.  Gaga has been known to blame illness and tiredness for the odd bad performance that gets noticed and said she has never and never would lip sync, although that’s one crime i would forgive thank her for.

Then there’s her ego, which is in a league of it’s own (seriously, towering over douche bags like Jared Leto and Miley Cyrus), even nick naming her fans and giving her album a name like The Fame Monster, as if she’s totally aware of exactly what she’s doing and advertising it, but her fans are blissfully unaware and don’t care.

The worst thing about this all?  I can actually see why people like this collection of abominations.  It’s catchy, “accessible”, rammed down your throats at an alarming rate, cool to like, just like every other fad.  People don’t look for music in their music any more.

The Dillinger Escape Plan

DEP are a mathcore band, but don’t let the last 4 letters of that genre classification put you off, these are far from your average ‘screamo’ type band.

Their music is all about discovering new sounds seemingly while creating as much chaos as possible, something that’s glaringly obvious at their live shows. They achieve their unique sound by using some Avant garde methods such as strange timing signatures, different song structures and changing of volumes.

The lead singer, Greg, simply put is a mad man, breathing fire at the crowd and often throwing burning instruments and amps in there too.  On their latest album ‘Option Paralysis’, themes were all about “having so many options for each choice that you are frozen and don’t chose” and causing people to stick to the norm and not change, this is how lead guitarist Ben Weinman views the current situation in the music industry, this is where the title of the album came from.

Through the years DEP have gone through their fair share of members, having had a total of 8 former members, leaving for reasons ranged from injury to your average reasons like wanting a change in career path.

What to expect:

A wall of fast, heavy and technical guitar riffs and screams that will take a few listens to get used to, but like whiskey grows better with time.

Listen to:

  • 43% Burnt [on 'Calculating Inifinity'] (this is the best single song to sum DEP up; fast, aggressive but experimental and loads of change throughout the song)
  • Sunshine The Werewolf [on 'Miss Machine'] (ranges from insane mathcore riffs and screaming to an almost operatic ending)
  • Goodbye Monalisa [on 'Option Paralysis']
  • Black Bubblegum [on 'Ire Works'] (their more “poppy” sound)
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